https://pimboreel.com Pim Boreel Mon, 21 Sep 2026 14:27:03 +0000 https://pimboreel.com en https://pimboreel.com/Slideshow Sun, 09 Feb 2020 14:15:21 +0000 Pim Boreel https://pimboreel.com/Slideshow ARTISTSOUND, LISTENING &amp; EMBODIMENT PRACTITIONER https://pimboreel.com/Now Mon, 21 Sep 2026 14:27:03 +0000 Pim Boreel https://pimboreel.com/Now NOWUpcoming/ongoing/recent <img width="9933" height="14043" width_o="9933" height_o="14043" data-src="https://freight.cargo.site/t/original/i/61aec8b0f76444574c1b076e5e766cc3b2b478231fc8817958d662165e438f89/Uncloud2026-Line-up.jpg" data-mid="252395054" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/61aec8b0f76444574c1b076e5e766cc3b2b478231fc8817958d662165e438f89/Uncloud2026-Line-up.jpg" /> LIGHT LINE(S) FOR OBLIQUE ANGELS&nbsp;(installation)01-11 October 2026, at Uncloud Festival 10 Years of Breaking the Binary https://pimboreel.com/projects-4 Sun, 09 Feb 2020 14:15:21 +0000 Pim Boreel https://pimboreel.com/projects-4 LIGHT LINE(S) FOR OBLIQUE ANGELS Performance Installation <img width="8219" height="5479" width_o="8219" height_o="5479" data-src="https://freight.cargo.site/t/original/i/2b1d7f3deca402ec68d6d6388947c69f896b0e329b26f51a63529c00221f3d44/SandbergInstituut_2026_PimBoreel_photo_TomPhilipJanssen_HR_01.jpg" data-mid="252216145" border="0" src="https://freight.cargo.site/w/1000/i/2b1d7f3deca402ec68d6d6388947c69f896b0e329b26f51a63529c00221f3d44/SandbergInstituut_2026_PimBoreel_photo_TomPhilipJanssen_HR_01.jpg" /> PLAY PRETEND Composition and Sound Design <img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/264aa4f28413f08394cecd93ec3865ae319b15ed63bcddb794427f435cfd6ce7/07Sondi_VKBKP.jpg" data-mid="252258006" border="0" src="https://freight.cargo.site/w/1000/i/264aa4f28413f08394cecd93ec3865ae319b15ed63bcddb794427f435cfd6ce7/07Sondi_VKBKP.jpg" /> ANATOMY OF A SYMBIOSIS Software Design, Composition and Sound Design<img width="1536" height="1031" width_o="1536" height_o="1031" data-src="https://freight.cargo.site/t/original/i/9a5928e75d5c5bc9b816df85791e38212b502b500fb2c0f12f23bad4a0d4352a/05Anatomy-of-a-Symbiosis-Sasa-Spacal-Image-01.png" data-mid="252234511" border="0" src="https://freight.cargo.site/w/1000/i/9a5928e75d5c5bc9b816df85791e38212b502b500fb2c0f12f23bad4a0d4352a/05Anatomy-of-a-Symbiosis-Sasa-Spacal-Image-01.png" /> LAST GRAIN OF SAND Sound Research, Curation, Composition and Sound Design <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/51b386e78fb91d8a79ecd6fc77daef63859c54bfcbc8d22b723e9c3fe5ada2b4/03Installatie_LGOS.png" data-mid="252240844" border="0" src="https://freight.cargo.site/w/1000/i/51b386e78fb91d8a79ecd6fc77daef63859c54bfcbc8d22b723e9c3fe5ada2b4/03Installatie_LGOS.png" /> MYCOMYTHOLOGIES: RUPTURE Sound and Software Design <img width="4104" height="2736" width_o="4104" height_o="2736" data-src="https://freight.cargo.site/t/original/i/47628755af6c8855b9520b8ee39414b924e267863f7ec1583a557e3993ded98b/MycoMythologies--Rupture.jpg" data-mid="88554673" border="0" src="https://freight.cargo.site/w/1000/i/47628755af6c8855b9520b8ee39414b924e267863f7ec1583a557e3993ded98b/MycoMythologies--Rupture.jpg" /> THE&nbsp;WOODPECKERSAssistant <img width="1000" height="666" width_o="1000" height_o="666" data-src="https://freight.cargo.site/t/original/i/90233d16b81a40756a648280ccbbcb1214675ddcf90865d8ac24ed526e00abe1/WOODPECKERS3.jpg" data-mid="60623733" border="0" src="https://freight.cargo.site/w/1000/i/90233d16b81a40756a648280ccbbcb1214675ddcf90865d8ac24ed526e00abe1/WOODPECKERS3.jpg" /> ZONING OUT WHILE BEING ((NO(W))(HERE)) Music album <img width="3367" height="2245" width_o="3367" height_o="2245" data-src="https://freight.cargo.site/t/original/i/978c9660783582bb5138b64685a10bc2737c29539a4bd02770a214d0c59a8bf3/zoning-out-while-being-nowwhere-rotated2.png" data-mid="252221256" border="0" src="https://freight.cargo.site/w/1000/i/978c9660783582bb5138b64685a10bc2737c29539a4bd02770a214d0c59a8bf3/zoning-out-while-being-nowwhere-rotated2.png" /> DEUS EX MACHINA Composition and Sound Design <img width="2364" height="1577" width_o="2364" height_o="1577" data-src="https://freight.cargo.site/t/original/i/3c4c152a66fc6bf76971e4465e9ec2d45fb0acb0f94a2afd75d8004f31714e62/arno-hoogland-extra_dezeen_2364_col_4.jpg" data-mid="252234853" border="0" src="https://freight.cargo.site/w/1000/i/3c4c152a66fc6bf76971e4465e9ec2d45fb0acb0f94a2afd75d8004f31714e62/arno-hoogland-extra_dezeen_2364_col_4.jpg" /> HOME 404 Composition, Sound Design and Sonic Scenography&nbsp;<img width="6733" height="4489" width_o="6733" height_o="4489" data-src="https://freight.cargo.site/t/original/i/458b725f00844ec3c39d26015bb6654914b7ad06735b55965bcaef487a4aa8ad/02Home404_01_Sondi.JPG" data-mid="252258061" border="0" src="https://freight.cargo.site/w/1000/i/458b725f00844ec3c39d26015bb6654914b7ad06735b55965bcaef487a4aa8ad/02Home404_01_Sondi.JPG" /> MYCOMYTHOLOGIES: PATTERNING Sound and Software Design <img width="6671" height="4452" width_o="6671" height_o="4452" data-src="https://freight.cargo.site/t/original/i/936af8863561afa8942c5afc9ebd87cb151fe4bb6114f05c62a9b04b21875373/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-08.jpg" data-mid="103993208" border="0" src="https://freight.cargo.site/w/1000/i/936af8863561afa8942c5afc9ebd87cb151fe4bb6114f05c62a9b04b21875373/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-08.jpg" /> CLAMSSoftware design&nbsp;<img width="1000" height="666" width_o="1000" height_o="666" data-src="https://freight.cargo.site/t/original/i/a15df3b4a124c60e90e12a06d577accb5918e6309bf87cf27e999dd8158372e6/CLAMS1.jpg" data-mid="60625805" border="0" src="https://freight.cargo.site/w/1000/i/a15df3b4a124c60e90e12a06d577accb5918e6309bf87cf27e999dd8158372e6/CLAMS1.jpg" /> https://pimboreel.com/about-2 Fri, 07 Sep 2018 13:12:58 +0000 Pim Boreel https://pimboreel.com/about-2 ARTISTIC BIO Pim Boreel is an artist working through sound, resonance, and material tension. His work operates at the threshold of noise and silence, where listening shifts from perception into bodily and affective modes of knowing. Through installations, performances, and compositional environments, he investigates how vibration and movement unsettle fixed perceptions of linear time, reorganise spatial relations, and open conditions in which friction, vulnerability, and transformation can emerge. His practice approaches listening as a relational and vibrational methodology that moves between embodied, material, and ecological registers. Rooted in his position as a Dutch-Indonesian practitioner, he engages with ritual technologies of perception to explore how memory, sensation, and environment continuously shape one another. Rather than seeking resolution, his work remains attentive to states of instability, disturbance and interference, understanding tension as a material condition through which perception becomes porous, and complexity can be held without demanding certainty or closure. His work and collaborations have been internationally exhibited at museums, galleries and media art festivals such as Stedelijk Museum Amsterdam (NL), Ars Electronica (AT), STRP festival (NL), FIBER Festival (NL), Dutch Design Week (NL), Eye Filmmuseum (NL), Salone Del Mobile (IT), NTU Singapore (SG), GHMP Prague City Gallery (CZ), Cultural Centre Tobačna 001 (SI), Multimedia Centre Kibla (SI), Oerol (NL) and Uncloud (NL). Besides this, his works and collaborations received nominations and awards for the Ars Electronica S+T+ARTS Prize and NTU Global Digital Art Award. Click here for Pim’s CV <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/d9a8cae75a21cf3438469190f3a2686aee92aaea7e476c9a7225819a738d6d15/SandbergInstituut_2026_PimBoreel_photo_TomPhilipJanssen_HR_05.jpg" data-mid="252183502" border="0" src="https://freight.cargo.site/w/1000/i/d9a8cae75a21cf3438469190f3a2686aee92aaea7e476c9a7225819a738d6d15/SandbergInstituut_2026_PimBoreel_photo_TomPhilipJanssen_HR_05.jpg" /> Photo by Tom Philip Janssen @Projectspace 38/40 https://pimboreel.com/contact Sun, 09 Feb 2020 19:26:59 +0000 Pim Boreel https://pimboreel.com/contact For questions or inquiries, feel free to contact www.pimboreel.com info@pimboreel.com +31 (0)6 134 39 256 Insulindeweg 55B 1094 PB Amsterdam The Netherlands https://pimboreel.com/cv Thu, 07 Feb 2019 10:51:46 +0000 Pim Boreel https://pimboreel.com/cv EDUCATION 2026&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; NIB body-oriented therapist training program 2023 – 2026 &nbsp; &nbsp; &nbsp; Master of Fine Art and Design, Sandberg InsCtute Amsterdam 2016 – 2019 &nbsp; &nbsp;&nbsp;&nbsp; Cum Laude Honours BA degree in Creative Media &amp; Game Technology, University of the Arts Utrecht 2015 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Composition Electronic Music, University of the Arts Utrecht 2014&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Preparatory Year Music &amp; Technology, University of the Arts Utrecht 2013 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Electronic Music Production, School of Audio Engineering Amsterdam RESIDENCIES, WORKSHOPS 2026 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Mehdi Dahkan, Juana del Mar movement workshops, Sandberg Institute (NL) 2022 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Art Laboratory Berlin, Berlin – collab. Saša Spačal 2021 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; FIBER Sound Ecologies open lab, Amsterdam (NL) - Workshop 2019 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Installation 48, Utrecht (NL) 2018 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The ZIL Cultural Centre, Moscow 2018, - collab. Anna Anderegg 2018 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Arts and Theatre Institute, Prague– collab. Marco Barotti 2018 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; La Strada, Graz – collab. Marco Barotti 2018 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; STEIM, Amsterdam – collab. Marco Barotti 2018 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Marco Barotti, Berlin (DE) - internship PRESENTATIONS 2025 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; KABK world-building /w Sondi 2023 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; FIBER Festival, Audiovisual Art Assembly 2021 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; HKU Rondetafel, recorded meeting with professionals regarding Digitalisation in the work field 2020 – 2021 &nbsp; &nbsp; Bio-Art Sessions at the University of Arts Utrecht GRANTS, NOMINATIONS &amp; AWARDS 2024 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Best Dance Film, Amsterdam Independent Film Festival 2024, Solus Rex by Marta Lillioja (award)&nbsp; 2023 –&nbsp;2024&nbsp; &nbsp; &nbsp;Talentontwikkeling Stimuleringsfonds Creative Industry (grant) 2021 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Ars Electronica S+T+ARTS Prize nomination 2021, MycoMythologies by Saša Spačal (nomination) 2020 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The Powsolo Awards, The Egg by Marco Barotti (finalist) 2019 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; NTU Global Digital Art Prize Singapore, CLAMS by Marco Barotti (first place) 2019 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Cinekid Best MediaLab Project, GENERATION XYZ by Post Neon (nomination) 2019&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;IYE Impulssubsidie Utrecht (grant)&nbsp; SELECTED PUBLICATIONS, RELEASES 2024&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Clams Designboom Marco Barotti 2024&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Solus Rex Best Dance Award Independent Film Festival 2023&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Anatomy of a Symbiosis for Kamizdat 2022&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Surrogacy for Access Frame: Colony 2022&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Last Grain of Sand NFF 2022 2021&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; MycoMythologies Series S+T+ARTS 2021&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Drone Sounds in a Micro-organic Magic Garden - Interferenties as November Musik 2021&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Age of Collectivity Metropolis M 2019&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Clams Oerol Marco Barotti wint NTU 2019&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; IYE Embassy of Health Dutch Design Week SELECTED EXHIBITIONS Uncloud Festival 2026 (Utrecht, The Netherlands) Light Line(s) for Oblique Angels Projectspace 38/40 2026 (Amsterdam, The Netherlands) Light Line(s) for Oblique Angels Monopole, Stedelijk Museum Schiedam 2026 (Rotterdam, The Netherlands) Play Pretend for Volkskrant Beeldende Kunst Prijs collab. SondiMuseum Arnhem 2026 (Arnhem, The Netherlands) HOME 404 collab. Sondi Eye Filmmuseum 2025 (Amsterdam, The Netherlands) Last Grain of Sand collab. Post Neon Salone Del Mobile 2025 (Milan, Italy) Deus Ex Machina collab. Arno HooglandGarage Rotterdam 2025 (Rotterdam, The Netherlands) HOME 404 collab. SondiACUD Gallery Berlin 2024 (Berlin, Germany) HOME 404 collab. Sondi Stedelijk Museum Amsterdam 2022 - 2023 (Amsterdam, The Netherlands) HOME 404 collab. Sondi BRNO Art Open 2022 (Brno-střed, Czech Republic) Repository of a Yearning Hybrid collab. Saša Spačal European Capital of Culture - Radio Art Zone 2022 (Esch, Luxembourg) Anatomy of a Symbiosis collab. Saša Spačal SPOR Festival 2022 (Aarhus, Denmark) Surrogacy collab. Saša Spačal STRP Festival 2022 (Eindhoven, The Netherlands) Last Grain of Sand collab. Post Neon MurMur 2022 (Amsterdam, The Netherlands) Last Grain of Sand collab. Post Neon Cultural Center Tobačna 001 2021 (Ljubljana, Slovenia) MycoMythologies series collab. Saša Spačal Biotroja – Centre for Composting Culture 2021 (Prague, Czech Republic) MycoMythologies series collab. Saša Spačal STRP Festival 2021 (Eindhoven, The Netherlands) Age of Collectivity collab. Post Neon Zone2Source 2021 (Amsterdam, The Netherlands) MycoMythologies: Patterning part of the Re:Tune Exhibition collab. Saša Spačal Drugo More 2020 (Rijeka, Croatia) MycoMythologies: Rupture collab. Saša Spačal Multimedia Center Kibla 2020 (Maribor, Slovenia) MycoMythologies: Rupture collab. Saša Spačal Uncloud 2020 (Utrecht, The Netherlands) BIO-ID LAB commissioned by Installation 48 (SETUP &amp; Oneseconds) collab. Karenina Blue NTU Global Digital Art Prize 2019 (Singapore, Singapore) Clams collab. Marco Barotti Cinekid Festival 2019 (Amsterdam, The Netherlands) Generation XYZ collab. Post Neon Oerol 2019 (Ter Schelling, The Netherlands) Clams collab. Marco Barotti Dutch Design Week 2019 (Eindhoven, The Netherlands) IYE, Immersive Journalism collab. Post Neon, Omninaut collab. Arvid &amp; Marie, Clams collab. Marco Barotti Ars Electronica 2019 (Linz, Austria) FLORA &amp; Clams collab. Marco Barotti Oerol 2018 (Ter Schelling, The Netherlands) The Woodpeckers collab. Marco Barotti Lost Art Festival 2018 (Berlin, Germany) The Woodpeckers collab. Marco Barotti https://pimboreel.com/Play-Pretend Thu, 17 Sep 2026 10:41:23 +0000 Pim Boreel https://pimboreel.com/Play-Pretend PLAY PRETEND&nbsp; <img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/be505f57e9b0f1ed24424bdf493d3d25612686530ba2ee9c1e276f7e8c0345d0/07Sondi_VKBKP.jpg" data-mid="252258235" border="0" src="https://freight.cargo.site/w/1000/i/be505f57e9b0f1ed24424bdf493d3d25612686530ba2ee9c1e276f7e8c0345d0/07Sondi_VKBKP.jpg" /> Video installation&nbsp; Composition and Sound Design, 11 min. Collaboration with SondiPlay Pretend is a moving image installation born out of Sondi’s ongoing archival project “Coding Blackness” that examines the performativity of Blackness as it is constructed through code, gameplay systems, and player interaction within video game worlds. It traces how bodies and gestures enter these systems, how they are transformed into data, and the stories that data is made to tell. The work explores motion capture data of Black digital performance. Motion capture (mocap) is a technology that records the movement of people and objects, translating physical motion into digital data. These movements are stored within the architecture of the game, where they can be reused and assigned to different characters and contexts. Through processes of digital excavation, this data is taken out of the games and assembled within a growing archive. In Play Pretend, these motion capture fragments are reassembled into an unstable theatre. The same fall, the same flinch, the same celebration returns again and again, now stripped of its original game environment and held in a bare, uncertain space. What is at play, and what is at stake? Play Pretend emerges as a new choreography. Seen side by side, layered and repeated, the motions begin to speak. Through this re-staging, the work listens for other possible readings, other worlds that might be held inside these gestures. Within this unstable theatre, Black digital bodies slip between capture and escape, rehearsing, again and again, the possibility of another story. Coding Blackness is a work/archival research in progress currently in development during the Stage IX Residency for Immersive Arts &amp; Research 2026/2027 in the Netherlands.&nbsp;READ MORE ABOUT IT HERE <img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/77f4d45f45379292f04a1b51227fffae4aef0515e6c7ad40faf90890a362a38b/Sondi_VKBKP.jpg" data-mid="252258234" border="0" src="https://freight.cargo.site/w/1000/i/77f4d45f45379292f04a1b51227fffae4aef0515e6c7ad40faf90890a362a38b/Sondi_VKBKP.jpg" /> https://pimboreel.com/Home-404 Thu, 17 Sep 2026 10:25:50 +0000 Pim Boreel https://pimboreel.com/Home-404 HOME 404 3-Channel Video Installation Composition, Sound Design and Sonic Scenography, 11 min. Collaboration with SondiHome 404 is an immersive installation that rethinks the concept of home and diasporic identity. The work is a reconstruction of memories from my home in Cameroon, inspired by rituals that are embodied as masks inhabited by spirits. Home 404 aims to heal diasporic wounds that were caused by the loss of home and feelings of displacement, and emphasizes the hybridity of identity, especially in relation to the diaspora. The three-channel video installation includes three digital masks that the viewer can interact with and appropriate, enabling them each to experience the story from their own perspective as they move through the ritual. The way in which the objects and spaces in the videos appear, disappear, transform, and metamorpho-se points to the fragmented and subjective nature of memory. &nbsp;HOME 404 at Stedelijk MuseumHOME 404 at Noorderlicht BiennialHOME 404 at Garage RotterdamSONDI Director, Writer, 3D Animation &amp; Video EditingPIM BOREEL Sound Design &amp; CompositionLILIA ADJIL 3D mask modelingMIKA SCHALKS Graphic Design <img width="6733" height="4489" width_o="6733" height_o="4489" data-src="https://freight.cargo.site/t/original/i/4fa7bfccb08372ae323900d73d84abcfe6f0b27e8990d898681854c03070a63a/02Home404_01_Sondi.JPG" data-mid="252258093" border="0" src="https://freight.cargo.site/w/1000/i/4fa7bfccb08372ae323900d73d84abcfe6f0b27e8990d898681854c03070a63a/02Home404_01_Sondi.JPG" /> <img width="1964" height="3024" width_o="1964" height_o="3024" data-src="https://freight.cargo.site/t/original/i/dbea85f451e8392de85b0a9d63fc0fd0b5960c4a9108097b84dda5bbce620beb/Video-Still-2.png" data-mid="252258094" border="0" src="https://freight.cargo.site/w/1000/i/dbea85f451e8392de85b0a9d63fc0fd0b5960c4a9108097b84dda5bbce620beb/Video-Still-2.png" /> <img width="1964" height="3024" width_o="1964" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e1d0355ba89511a93e9c0e9625237375e956f4780fced25cde5b90ec376a7e8c/Video-Still-7.png" data-mid="252258096" border="0" src="https://freight.cargo.site/w/1000/i/e1d0355ba89511a93e9c0e9625237375e956f4780fced25cde5b90ec376a7e8c/Video-Still-7.png" /> <img width="1964" height="3024" width_o="1964" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5958b02dc7ca03088a51c1a7a168d4adcf35f511532ed8d0e7b99f8fe722e7d0/Video-Still-5.png" data-mid="252258095" border="0" src="https://freight.cargo.site/w/1000/i/5958b02dc7ca03088a51c1a7a168d4adcf35f511532ed8d0e7b99f8fe722e7d0/Video-Still-5.png" /> <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/0cf6f5a1360dc902c649aedbe12644b1c675856dc635885adc85f215d841c8ef/Video-Still-20.png" data-mid="252258105" border="0" src="https://freight.cargo.site/w/1000/i/0cf6f5a1360dc902c649aedbe12644b1c675856dc635885adc85f215d841c8ef/Video-Still-20.png" /> <img width="1964" height="3024" width_o="1964" height_o="3024" data-src="https://freight.cargo.site/t/original/i/15f96ce14f314864888503eb2b3de9733a425440ad97342a126c95db110dcad9/Video-Still-12.png" data-mid="252258106" border="0" src="https://freight.cargo.site/w/1000/i/15f96ce14f314864888503eb2b3de9733a425440ad97342a126c95db110dcad9/Video-Still-12.png" /> <img width="1964" height="3024" width_o="1964" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9f9db245857fa320d4a9ad19159f9530ee72371fd73acdd4b93fefe914be43e5/Video-Still-13.png" data-mid="252258107" border="0" src="https://freight.cargo.site/w/1000/i/9f9db245857fa320d4a9ad19159f9530ee72371fd73acdd4b93fefe914be43e5/Video-Still-13.png" /> <img width="1964" height="3024" width_o="1964" height_o="3024" data-src="https://freight.cargo.site/t/original/i/dae9486fb6a192025694955cf75b566d91e17a9ac400b36ec15b3b486d65aa1d/Video-Still-4.png" data-mid="252258112" border="0" src="https://freight.cargo.site/w/1000/i/dae9486fb6a192025694955cf75b566d91e17a9ac400b36ec15b3b486d65aa1d/Video-Still-4.png" /> <img width="1964" height="3024" width_o="1964" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ab3feec186ff1c543c147d5317c8925569ec8c40920f1e0e7490fa6d8dcfa7d1/Video-Still-6.png" data-mid="252258111" border="0" src="https://freight.cargo.site/w/1000/i/ab3feec186ff1c543c147d5317c8925569ec8c40920f1e0e7490fa6d8dcfa7d1/Video-Still-6.png" /> https://pimboreel.com/Last-Grain-of-Sand Wed, 16 Sep 2026 20:06:11 +0000 Pim Boreel https://pimboreel.com/Last-Grain-of-Sand LAST GRAIN OF SAND&nbsp; VR installation Sound Research, Curation, Composition and Sound Design, 12 min. Collaboration with Post Neon Everyone knows we need to make substantial changes to the ways we consume the world's finite resources. But not everyone knows that sand, a resource we use every day, is running out.&nbsp; We were inspired by geologist Michael Welland’s final lecture on the Abundance and Scarcity of Sand, to create an experience that highlights and educates about this limited resource. A Last Grain of Sand is our exploration, predominantly through VR, that tells the story of our past, our present, and a potential future. We showcased A Last Grain of Sand at Eye Filmmuseum, NXT Museum, STRP festival, Gouden Kalf and online. Concept, Creative Direction and VR&nbsp;POST NEON Website and Type Design&nbsp;Charlotte Rohde, Hannes Brischke 3D&nbsp;Post Neon Physical Installation and Pattern Design&nbsp;Arno Hoogland Website Development&nbsp;Paul Evers Copywrite&nbsp;Matthijs Loriaux VR Assistance&nbsp;Ali Eslami Sound Design and Composition&nbsp;Pim Boreel Voice Actor Steve <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/11de8ade8757ca9d8024edc34fe881c659e131a335e1ca80968d142fef4a3616/Image-2.png" data-mid="252241742" border="0" src="https://freight.cargo.site/w/1000/i/11de8ade8757ca9d8024edc34fe881c659e131a335e1ca80968d142fef4a3616/Image-2.png" /> <img width="4096" height="2304" width_o="4096" height_o="2304" data-src="https://freight.cargo.site/t/original/i/1a5edb4ad6efb3344d5ebca6370d610f054cc0c81a8722727dd385b5167e3a35/Image.png" data-mid="252241731" border="0" src="https://freight.cargo.site/w/1000/i/1a5edb4ad6efb3344d5ebca6370d610f054cc0c81a8722727dd385b5167e3a35/Image.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/168eb96f56a0002ef2a778b0d5867042a3dd2594ba5966da649aaaee8afaf493/Image-3.png" data-mid="252241744" border="0" src="https://freight.cargo.site/w/1000/i/168eb96f56a0002ef2a778b0d5867042a3dd2594ba5966da649aaaee8afaf493/Image-3.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e5924b5e26447ccc7ee408e1c894224afa4c9105e226dbb30cb19074133f52e7/Image-4.png" data-mid="252241745" border="0" src="https://freight.cargo.site/w/1000/i/e5924b5e26447ccc7ee408e1c894224afa4c9105e226dbb30cb19074133f52e7/Image-4.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5245aaedde62529f28c4fe5492403a6ff83ea3b22fe9b3c385078ef968c25a3d/Image-5.png" data-mid="252241746" border="0" src="https://freight.cargo.site/w/1000/i/5245aaedde62529f28c4fe5492403a6ff83ea3b22fe9b3c385078ef968c25a3d/Image-5.png" /> https://pimboreel.com/Deus-Ex-Machina Wed, 16 Sep 2026 18:22:27 +0000 Pim Boreel https://pimboreel.com/Deus-Ex-Machina DEUS EX MACHINA <img width="2500" height="600" width_o="2500" height_o="600" data-src="https://freight.cargo.site/t/original/i/eb3f3c51499218b34cba3f2add9f50a2d4becc4c429084018c5fbc96775d401a/deux-ex-machina.jpg" data-mid="252235799" border="0" src="https://freight.cargo.site/w/1000/i/eb3f3c51499218b34cba3f2add9f50a2d4becc4c429084018c5fbc96775d401a/deux-ex-machina.jpg" /> CNC machine installation Composition and Sound Design, 20 min.Collaboration with Arno Hoogland MDF is cheap and easy to work with, but the material is seen as the gnarliest, least sustainable, ugliest material in interior design. Due to its dusty features MDF seems to be far away from its wooden ancestor: the tree. Because of this, the material has a bad reputation. Futurist designer Arno Hoogland disagrees. He wants to show the divine qualities of this material in his first ever solo-exhibition ‘Deus ex Machina’, located in the Isola District during Salone del Mobile in Milan, Italy. Deus ex machina Arno came across a piece of software that let him dance with his CNC milling machine. Arno could specify the thickness and shape of the line, and the machine would figure out for itself how deep he would sink the milling head into the material. This way it became a dialogue with the machine, so that no one knew in advance what the outcome would look like. For his new series, Arno refers to the expression Deus Ex Machina. Like a divine intervention, he brings the machine and the material to life. For the presentation of this new series, the machine gets a place in the spotlights in Milan. It doesn't feel right if Arno gets all the fame, while the machine stays behind in the Netherlands. Temple samples As a designer, Arno is strongly inspired by futurism. He tries to shape future worlds, which can differ from each other. In Milan, all these worlds come together in a 'temple of the future', made on site in building blocks by the milling machine. Next to the temple’s building blocks, Arno shows a range of furniture. *Using Bio-based MDF to help the planet