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<channel>
	<title>Pim Boreel</title>
	<link>https://pimboreel.com</link>
	<description>Pim Boreel</description>
	<pubDate>Thu, 01 Apr 2021 18:09:52 +0000</pubDate>
	<generator>https://pimboreel.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Slideshow</title>
				
		<link>https://pimboreel.com/Slideshow</link>

		<pubDate>Sun, 09 Feb 2020 14:15:21 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

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		<description>MEDIA ARTIST
COMPOSERSOUND DESIGNER&#38;nbsp;











</description>
		
	</item>
		
		
	<item>
		<title>projects</title>
				
		<link>https://pimboreel.com/projects-4</link>

		<pubDate>Sun, 09 Feb 2020 14:15:21 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/projects-4</guid>

		<description>
	BALLONTASTIC
Composition &#38;amp; Sound design 
&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/61fefe13b18a76946a481030e163d57d9824d093570f3865dc3d42136063f8f2/BALLONTASTIC3.png" data-mid="91445543" border="0"  src="https://freight.cargo.site/w/1000/i/61fefe13b18a76946a481030e163d57d9824d093570f3865dc3d42136063f8f2/BALLONTASTIC3.png" /&#62;

MYCOMYTHOLOGIES: RUPTURE
Sound &#38;amp; Software design

&#60;img width="4104" height="2736" width_o="4104" height_o="2736" data-src="https://freight.cargo.site/t/original/i/47628755af6c8855b9520b8ee39414b924e267863f7ec1583a557e3993ded98b/MycoMythologies--Rupture.jpg" data-mid="88554673" border="0"  src="https://freight.cargo.site/w/1000/i/47628755af6c8855b9520b8ee39414b924e267863f7ec1583a557e3993ded98b/MycoMythologies--Rupture.jpg" /&#62;

TAF x ADIDAS
Composition &#38;amp; Sound design&#38;nbsp;&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/0e9b8d525fa308b14bbbade5a90a968c4bfd95b5efc71b7a62269ffb2e4d6895/TAF-x-ADIDAS-Sustainability-Campaign.jpg" data-mid="88554068" border="0"  src="https://freight.cargo.site/w/1000/i/0e9b8d525fa308b14bbbade5a90a968c4bfd95b5efc71b7a62269ffb2e4d6895/TAF-x-ADIDAS-Sustainability-Campaign.jpg" /&#62;
BIO-ID LABResearch installation&#38;nbsp;&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/5604384f2e689b03a1ecb0680a5b0433afe1645906e805335058f2737073d88c/Disgust.png" data-mid="60626231" border="0"  src="https://freight.cargo.site/w/1000/i/5604384f2e689b03a1ecb0680a5b0433afe1645906e805335058f2737073d88c/Disgust.png" /&#62;

IYEPerformance installation 


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/90bf7ca2e78e2a500f3ad8db1fcbdcdd07df8dfa9cf94876965b7b61bad6b2bf/IYE-WQ-27.jpg" data-mid="60617044" border="0"  src="https://freight.cargo.site/w/1000/i/90bf7ca2e78e2a500f3ad8db1fcbdcdd07df8dfa9cf94876965b7b61bad6b2bf/IYE-WQ-27.jpg" /&#62;

THE&#38;nbsp;WOODPECKERSAssistant



&#60;img width="1000" height="666" width_o="1000" height_o="666" data-src="https://freight.cargo.site/t/original/i/90233d16b81a40756a648280ccbbcb1214675ddcf90865d8ac24ed526e00abe1/WOODPECKERS3.jpg" data-mid="60623733" border="0"  src="https://freight.cargo.site/w/1000/i/90233d16b81a40756a648280ccbbcb1214675ddcf90865d8ac24ed526e00abe1/WOODPECKERS3.jpg" /&#62;
IMMERSIVE JOURNALISM 01.1Composition and Sound design for 360° video


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e443e3a9befab6b39e6231ab92e9c804acb48a8f1a4056f66a078d8064003d87/Installation_1.1.png" data-mid="60617115" border="0"  src="https://freight.cargo.site/w/1000/i/e443e3a9befab6b39e6231ab92e9c804acb48a8f1a4056f66a078d8064003d87/Installation_1.1.png" /&#62;GENERATION XYZComposition and Sound design for AR application

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0b193dd520f7e90260aaeb4d6478942a0ca387b5487d4926aa8456ab3cc75274/BannerPim.png" data-mid="60817329" border="0"  src="https://freight.cargo.site/w/1000/i/0b193dd520f7e90260aaeb4d6478942a0ca387b5487d4926aa8456ab3cc75274/BannerPim.png" /&#62;

	MYCOMYTHOLOGIES: PATTERNING
Sound &#38;amp; Software design
&#60;img width="6671" height="4452" width_o="6671" height_o="4452" data-src="https://freight.cargo.site/t/original/i/936af8863561afa8942c5afc9ebd87cb151fe4bb6114f05c62a9b04b21875373/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-08.jpg" data-mid="103993208" border="0"  src="https://freight.cargo.site/w/1000/i/936af8863561afa8942c5afc9ebd87cb151fe4bb6114f05c62a9b04b21875373/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-08.jpg" /&#62;
TAF x REEBOKComposition &#38;amp; Sound design 
&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/7ab7e2df1d7fa532e0a8c3760097d92b489233b00fd50086773bb576a33e5bc0/TAFxREEBOK-Still.png" data-mid="91444061" border="0"  src="https://freight.cargo.site/w/1000/i/7ab7e2df1d7fa532e0a8c3760097d92b489233b00fd50086773bb576a33e5bc0/TAFxREEBOK-Still.png" /&#62;

THE EGGSoftware design

&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/71f4997feb644d681cb5838b73e40a0a6f1031892adf42c294c780d42d9260ff/MarcoBarotti_TheEgg.jpg" data-mid="88554083" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/71f4997feb644d681cb5838b73e40a0a6f1031892adf42c294c780d42d9260ff/MarcoBarotti_TheEgg.jpg" /&#62;
TAF x PUMA&#38;nbsp;Composition &#38;amp; Sound design&#60;img width="3584" height="2240" width_o="3584" height_o="2240" data-src="https://freight.cargo.site/t/original/i/237e980a87532eabd99e1c655b485ccf70b36bb33e02fe58538616ed3247556f/TAF-x-PUMA-Wild-Cat-2.jpg" data-mid="88554076" border="0"  src="https://freight.cargo.site/w/1000/i/237e980a87532eabd99e1c655b485ccf70b36bb33e02fe58538616ed3247556f/TAF-x-PUMA-Wild-Cat-2.jpg" /&#62;
FLORALiving audio visual installation


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f20037ff72ada26c1a2ce56565d69248c1bebf449b4d638f5474a2530d6d42c7/FLORA-67.JPG" data-mid="60617085" border="0"  src="https://freight.cargo.site/w/1000/i/f20037ff72ada26c1a2ce56565d69248c1bebf449b4d638f5474a2530d6d42c7/FLORA-67.JPG" /&#62;

CLAMSSoftware design&#38;nbsp;&#60;img width="1000" height="666" width_o="1000" height_o="666" data-src="https://freight.cargo.site/t/original/i/a15df3b4a124c60e90e12a06d577accb5918e6309bf87cf27e999dd8158372e6/CLAMS1.jpg" data-mid="60625805" border="0"  src="https://freight.cargo.site/w/1000/i/a15df3b4a124c60e90e12a06d577accb5918e6309bf87cf27e999dd8158372e6/CLAMS1.jpg" /&#62;
OMNINAUTComposition and Sound design 

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/88bbd2dfc79f58b0b7d4c74e741517e6eff89540a586411326d56d2090458d5c/ProductionShot.jpg" data-mid="60820798" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/88bbd2dfc79f58b0b7d4c74e741517e6eff89540a586411326d56d2090458d5c/ProductionShot.jpg" /&#62;



IMMERSIVE JOURNALISM 01.3Composition and Sound design for VR environment&#38;nbsp;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a304c515c4e05a8a21125fce61dd10e2ecf7cd6ac7d47eb14561d2326a7aba1f/Installtion_3.1.png" data-mid="60627921" border="0"  src="https://freight.cargo.site/w/1000/i/a304c515c4e05a8a21125fce61dd10e2ecf7cd6ac7d47eb14561d2326a7aba1f/Installtion_3.1.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>about</title>
				
		<link>https://pimboreel.com/about-2</link>

		<pubDate>Fri, 07 Sep 2018 13:12:58 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/about-2</guid>

		<description>
	ARTIST &#38;amp; 
SOUND FREAK
Pim Boreel (1994)&#38;nbsp;is an artist who operates at the intersection of sound art, composition and auditory world-building. Throughout his work, he explores other-than-human perspectives by translating living systems and climate imaginaries into imaginative sonic landscapes and immersive installations. When depicting these often hidden sensory worlds, Pim utilises sound and code as investigative tools to rethink multispecies interdependency and deepen human understanding of our relationship to the world.


He stretches the possibilities of multi-sensory storytelling by sonifying and spatialising creative concepts for a broad spectrum of contexts such as performances, virtual reality, art installations, films and music productions. Working in a symbiotic balance between his alias DJ D3liver0.o, Pim continues to explore new ways of sonic storytelling, embracing musical expression in all forms.


His work and collaborations have been exhibited at museums, galleries and media art festivals such as Stedelijk Museum Amsterdam (NL), Ars Electronica (AT), STRP festival (NL), Dutch Design Week (NL), NTU Singapore (SG), GHMP Prague City Gallery (CZ), Cultural Centre Tobačna 001 (SI), Multimedia Center Kibla (SI), Oerol (NL) and Uncloud (NL). Besides this, his works and collaborations received nominations and awards for the Ars Electronica Starts Priz and NTU Global Digital Art Award.


Currently his practice is being supported by the Talent Development program from Stimuleringsfonds Creative Industry to develop his research-driven project AquaPocalyps, the sonification of the deep sea.

























	
&#60;img width="2951" height="2407" width_o="2951" height_o="2407" data-src="https://freight.cargo.site/t/original/i/89aeeb078570af7fe8d30bb60a13746210bdaa41fee7c3d7dc116a12490e34f6/DJ-D3liver0.o-portrait2-by-Martijn-Kuyvenhoven.jpg" data-mid="140139579" border="0"  src="https://freight.cargo.site/w/1000/i/89aeeb078570af7fe8d30bb60a13746210bdaa41fee7c3d7dc116a12490e34f6/DJ-D3liver0.o-portrait2-by-Martijn-Kuyvenhoven.jpg" /&#62;
photo by Martijn Kuyvenhoven
</description>
		
	</item>
		
		
	<item>
		<title>contact</title>
				
		<link>https://pimboreel.com/contact</link>

		<pubDate>Sun, 09 Feb 2020 19:26:59 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/contact</guid>

		<description>
	For questions, please contact

Instragram:&#38;nbsp;@pimboreelwww.pimboreel.com


	info@pimboreel.com

+31 (0)6 134 39 256
	
	

Isolatorweg 361014 AS Amsterdam

The Netherlands
</description>
		
	</item>
		
		
	<item>
		<title>cv</title>
				
		<link>https://pimboreel.com/cv</link>

		<pubDate>Thu, 07 Feb 2019 10:51:46 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/cv</guid>

		<description>
	




































EDUCATION2016 – 2019 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Honours
degree in Sound &#38;amp; System Design, University of the Arts Utrecht 2015 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Composition Electronic Music,
University of the Arts Utrecht 2014&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Preparatory Year Music &#38;amp;
Technology, University of the Arts Utrecht 2013 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Electronic Music Production,
School of Audio Engineering Amsterdam

GRANTS2019 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; Impulssubsidie culture municipality
Utrecht, IYE 

AWARDS2019 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; NTU Global Digital Art Prize
Singapore, CLAMS by Marco Barotti 

NOMINATIONS2020
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The Powsolo awards, The Egg by Marco Barotti&#38;nbsp;
2019&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Cinekid best MediaLab project, GENERATION
XYZ by Post Neon 




































EXHIBITIONS
IYE

Dutch Design Week, Eindhoven (NL) 2019



E-live, Utrecht (NL) 2019



FLORA
Ars Electronica,
Linz (AT) 2019



Exposure, Utrecht (NL) 2019



 
BIO-ID LAB
UNCLOUD, Utrecht (NL) 2020



Re:connect,
Utrecht (NL) 2019



CLAMS
Grand
Hornu (BE) 2020



Dutch
Design Week, Eindhoven 2019



Fact,
Liverpool (UK) 2019



NTU
Global Digital Art Prize 2019, Singapore (SGP) 2019 



Ars
Electronica, Linz (AT) 2019



Klang
Moor, Schopfe (CH) 2019



WRO
Art Center, Wroclaw (PL) 2019



Oerol
Festival, Terschelling (NL) 2019



Clams
Simulation, Transnatural, Amsterdam (NL) 2019



THE WOODPECKERS
MKIF festival, Milton Keynes (UK)
2020



Go Short, Nijmegen (NL) 2020



Nuit Blanche, Brussels (BE) 2019



Kaapstad, Tillburg (NL) 2019



New Holland, St Petersburg (RU) 2019



Pristina (RKS) 2019



Le Tombe De La Nuit, Rennes (FR) 2019



Bien Urbain, Besançon (FR) 2019



Katowice Street Art, Katowice (PL)
2019



Hidden Structures, Arnhem (NL) 2019


KIKK festival - Namur (BE) 2018



OORtreders, Neerpelt (BE) 2018



Travellings, Marseille (FR) 2018



PLACCC, Budapest (HU) 2018



La Strada, Graz (AT) 2018



Chalon Dans La Rue, Chalon-sur-Saône
(FR) 2018



Oerol, Terschelling (NL) 2018



NN Festival, Norwich (UK) 2018



Bildstörung, Detmold, (DE) 2018



Galerie Alte Schule Adlershof, Berlin (DE) 2018



NGBK Gallery, Berlin (DE) 2018



IMMERSIVE JOURNALISM 01.1 &#124; 0.13
Dutch Design Week, Eindhoven 2019



GENERATION XYZ
Cinekid festival, Amsterdam 2019



OMNINAUT
Dutch Design Week, Eindhoven 2019



Eindhoven Film Festival, Eindhoven 2019








RESIDENCIES
La Strada, Graz
2018 – For Marco Barotti



Arts and theatre institute, Prague 2018 – For Marco Barotti



STEIM, Amsterdam 2018 – For Marco Barotti



INTERNSHIP
Marco Barotti,
Berlin (DE) 2019
























	
	

	

</description>
		
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	<item>
		<title>MycoMythologies-Patterning</title>
				
		<link>https://pimboreel.com/MycoMythologies-Patterning</link>

		<pubDate>Thu, 01 Apr 2021 18:09:52 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

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		<description>
	MYCOMYTHOLOGIES&#38;nbsp;PATTERNING
Biotechnological installationSound &#38;amp; Software design

Collaboration with Sasa Spacal

Production and support: Zone2Source, Projekt Atol, Amsterdams Fonds voor de Kunst, Toby Kiers Laboratory a Vrije Universiteit Amsterdam, PIF Camp
Support: Ministry of Culture of Republic of Slovenia and Municipality of Ljubljana
Programming, mapping: Matic PotočnikMicrobiology, technical support: Mirjan ŠvageljSincere thanks: Toby Kiers, Loreto Oyarte Galvez, Malin KleinPhotographs: Marthe Vos, Saša Spačal
2021

	
&#60;img width="4630" height="6937" width_o="4630" height_o="6937" data-src="https://freight.cargo.site/t/original/i/7e119b0e75e3a22cc43035ac9455b6552bb98258e6848f78bb39100a00ff7ee1/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-10.jpg" data-mid="103994314" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/7e119b0e75e3a22cc43035ac9455b6552bb98258e6848f78bb39100a00ff7ee1/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-10.jpg" /&#62;
&#60;img width="4757" height="7128" width_o="4757" height_o="7128" data-src="https://freight.cargo.site/t/original/i/2043a78b0e49fb9ff950dc150aaf6976873321c377f79f40b57fdc6fb2bd2b6d/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-04.jpg" data-mid="103994313" border="0"  src="https://freight.cargo.site/w/1000/i/2043a78b0e49fb9ff950dc150aaf6976873321c377f79f40b57fdc6fb2bd2b6d/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-04.jpg" /&#62;

Prototype draft for acquiring permit from World Networks Entanglement:

“Infrastructural node in the World Networks Entanglement provides an epigenetic environment for mushroom Hericium erinaceus. As an offering human healer patternist Hericium donated her blood, sweat and tears to braid contamination, dosing it slowly into a fungal environment. Not to shock, but nurture, negotiate and form xeno-patterns in the central pattern of the Entanglement Flow. Contamination always alludes control and so does the node in question, however there is a wish to include and collaborate. A wish was built in the node to produce cartographies of contamination collaboration with the integrated mapping device: collecting micrographs of contamination, charting maps and building ever evolving and transforming Atlas of Collaborative Contamination. All this to outline relations, to allow the stories of multiplicities to emerge, to develop caring methods of connecting and entangling, to finally be able to navigate patterns of intra- and interspecies complexities. ”

Once the draft was scribbled Hericium started to wonder how we will ever learn to be many and diverse. Who knows. For her it was time to start prototyping the machine for cartographies of fungi-human ecologies. Permit or no permit, she sensed in the Flow that the world had a need.MycoMythologies:Patterning is an installation which captures growing fungal landscape which is contaminated by the human microbiom – bacteria, fungi and archea derived from the blood, sweat and tears of the artist – with a microscope and analyzed by computer vision, rendered on three screens where they are mapped, sonified and collected into a database. The installation questions if we can see ourselves as entangled rather than sovereign, reflecting on contamination as productive exchange between different life forms.

 

–

MycoMythologies series expresses deep admiration for the wisdom, work and legacy of Lion’s Mane Hericium erinaceus, Octavia E. Butler, Oyster mushroom Pleurotus ostreatus and Ursula K. Le Guin.

–
&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/cec51f9a142d49151f9e33048c89744ce379275d2cb64012618ab68e989767f8/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-05.jpg" data-mid="103994754" border="0"  src="https://freight.cargo.site/w/1000/i/cec51f9a142d49151f9e33048c89744ce379275d2cb64012618ab68e989767f8/MycoMythologies-Patterning-Sasa-Spacal-Photo-Marthe-Vos-05.jpg" /&#62;</description>
		
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	<item>
		<title>Ballontastic</title>
				
		<link>https://pimboreel.com/Ballontastic</link>

		<pubDate>Tue, 08 Dec 2020 16:29:48 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/Ballontastic</guid>

		<description>
	BALLONTASTICFICTIONComposition &#38;amp; Sound DesignCollaboration with Jeroen van den Dungenvideo by Tebbernekkel

Written &#38;amp; directed by Blue Ter BurgShot by Willem van der EerdenProduced by Quintin Baker


	






</description>
		
	</item>
		
		
	<item>
		<title>TAFxReebok</title>
				
		<link>https://pimboreel.com/TAFxReebok</link>

		<pubDate>Tue, 08 Dec 2020 16:06:16 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/TAFxReebok</guid>

		<description>
	TAF x REEBOKHOLIDAY CAMPAIGNComposition &#38;amp; Sound DesignCollaboration with Jeroen van den Dungenvideo by Hittegolf Media
	
</description>
		
	</item>
		
		
	<item>
		<title>TheEgg</title>
				
		<link>https://pimboreel.com/TheEgg</link>

		<pubDate>Thu, 12 Nov 2020 08:47:53 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/TheEgg</guid>

		<description>
	THE EGGWORLD POPULATION SCULPTURE
Software design

The Egg is a project by Marco BarottiCo-produced by Tokyo Biennale, Dystopie Festival and Bildstörung Festival,assistant: Alex Blondeautext: Anna AndereggSupported by: Cycling ‘74&#38;nbsp; and &#38;nbsp;WorldometerSpecial thanks to Marco Canevacci, Yena Young, Stefan Dietzelt, Carsten Reith &#38;amp; Daniel Brunet


	&#38;nbsp; &#38;nbsp;CURRENT WORLD POPULATION&#38;nbsp; &#38;nbsp;&#38;nbsp;

Ten thousand years ago, there were 1 million people living on the planet, fifty years ago there were 3 billion of us and, by the end of this century, we are estimated to reach a population of 10 billion people! We have modified almost every part of our planet and, as we continue to grow, our need for vital resources increases exponentially. We human beings are the main force behind every global problem we face.Marco Barotti’s new work is a kinetic sound sculpture resembling an egg. The cycle of life, reflected in the shape of the sculpture with neither beginning nor end, symbolizes fertility and reproduction - and thus questions the impact of overpopulation. Driven by real-time data generated by the Worldometer, the sculpture constantly changes its shape.The data produced by the Worldometer counter recording births and deaths is converted into bass frequencies. These frequencies are pitched below what is audibly perceptible by human beings, infrasound. They are too low to be heard but powerful enough to drive the subwoofer to produce movements, air pressure and sound vibrations to interact with the flexible membrane of the structure. This creates unpredictable patterns that continuously reshape the sculpture. The EGG is made out of natural rubber, a high-tech latex material produced from tree bark.&#60;img width="3508" height="2481" width_o="3508" height_o="2481" data-src="https://freight.cargo.site/t/original/i/174c5e089f156f1ca8b4204510e1eed13bbda26ebd000c033170dde144e04496/Sketch_111.jpg" data-mid="88557227" border="0"  src="https://freight.cargo.site/w/1000/i/174c5e089f156f1ca8b4204510e1eed13bbda26ebd000c033170dde144e04496/Sketch_111.jpg" /&#62;


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		<title>MycoMythologies-Rupture</title>
				
		<link>https://pimboreel.com/MycoMythologies-Rupture</link>

		<pubDate>Thu, 12 Nov 2020 08:47:21 +0000</pubDate>

		<dc:creator>Pim Boreel</dc:creator>

		<guid isPermaLink="true">https://pimboreel.com/MycoMythologies-Rupture</guid>

		<description>
	MYCOMYTHOLOGIESRUPTUREBiotechnological installation
Sound &#38;amp; Software design

Collaboration with Sasa Spacal

Production and support: ACE Kibla, Projekt Atol, Amsterdams Fonds voor de Kunst, Toby Kiers Laboratory a Vrije Universiteit Amsterdam, PIF Camp
Support: Ministry of Culture of Republic of Slovenia and Municipality of Maribor

Programming, computer vision: Matic PotočnikMicrobiology, technical support: Mirjan ŠvageljVideo Footage: Tilen SepičMycelium micrographs, technical support: Toby Kiers Laboratory [Vrije Universiteit Amsterdam]

Kindly lent voices: Polona Torkar, Verena Friedrich, Regine Rapp, Susana Gómez Larrañaga, Hiroaki Fujiwara, Jooyoung Oh, Pim Boreel, Saša Spačal, Hiroaki Fujiwara, Anneta Mona Chisa, Monica Clare Mills, Vivian Xu, Dmitry MorozovSincere thanks: Toby Kiers, Loreto Oyarte Galvez, Malin Klein

Photographs: Janez Klenovšek


2020



	
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&#60;img width="4104" height="2736" width_o="4104" height_o="2736" data-src="https://freight.cargo.site/t/original/i/a0adeddb514994984c594c0e60fe3aa540c573637f8271205821de2e850f17a0/untitled-35_00-WEB.jpg" data-mid="88556240" border="0"  src="https://freight.cargo.site/w/1000/i/a0adeddb514994984c594c0e60fe3aa540c573637f8271205821de2e850f17a0/untitled-35_00-WEB.jpg" /&#62;
MYCOMYTHOLOGIES

MycoMythological machines were assembled to tap into the underground flow while the nutrients poured out of it, along with the numerous stories. No matter where the flow was sampled, there the stories were, flowing out of the mycelium network together with the much needed nutrients. There were many whispers, among which some stories seemed the same as they trickled out of the hyphae in chunks and pieces. They were almost like a repetitive mantra that loops and loops even though they were never completely the same. There were always glitches and differences as if they had been assembled again and again like some sort of a distant memory of the murmuring machine.

THE MYTH OF RUPTURE

The microscopic node in the World Networks Entanglement freshly programmed with the Fungal Network Traits Protocol* experienced a peculiar overflow of sonic data. The sound in the laboratory filled the space with one single sentence computed by the Entanglement and repeatedly uttered by the machine. As more and more data poured into the machine, the more intense and distinct the voices became:

 
»We can’t return to normal because the normal that we had was precisely the problem.«

 
The feeling was that of an emergency; numerous languages and voices were finally detected circulating in the Flow. From the depths of the previously mute and unheard underground, the machine clearly conveyed messages that their world was broken. The rupture was clearly deep and entangled as it spanned several planes that had kept the voices invisible and quiet for too long.

The conclusion was that the machine got overloaded while computing the immensity of the breach across the feedback looping entanglements of the planetary networks. In order for the World Networks Entanglement to compute itself again with the included newly detected voices, it was necessary to implement The Word for World Is Flow Protocol, which allowed for the permeability of categories such as human, gender, nature, individual, history, culture, society. Serious work needs to be done.


*The Fungal Network Traits Protocol of unevenly distributed particles was developed in collaboration with fungal agents, which performed their decision-making processes. The dataset of decisions was then fed into the protocol, which became known as the Protocol of the Forgotten.

—

MycoMythologies is a series of ontogenetic mythological stories, video essays and machines conceived by Saša Spačal. The series researches the multilayered question of how mushrooms can help humans think about the possibilities of entangled life in capitalist ruins. As a speculative artistic research, MycoMythologies thinks not only about how fungal underground networks can inform humans, but also about how technologies tend to define the teachings that humans receive. The first myth of the series, The Myth of Rupture, premiered in October 2020 in KID Kibla in Maribor, Slovenia.
&#60;img width="4104" height="2736" width_o="4104" height_o="2736" data-src="https://freight.cargo.site/t/original/i/fbc59d500aa97b355a03dd17dffcce4bacc9cd01318a3e25ad3a02d99fb92e78/untitled-42_00-WEB.jpg" data-mid="88556229" border="0"  src="https://freight.cargo.site/w/1000/i/fbc59d500aa97b355a03dd17dffcce4bacc9cd01318a3e25ad3a02d99fb92e78/untitled-42_00-WEB.jpg" /&#62;

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